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Enhancing Music Events Using Physiological Sensor Data., , , , and . ACM Multimedia, page 1239-1240. ACM, (2017)Multi-Screen Director: a New Role in the TV Production Workflow?, , , , , and . TVX (Adjunct), page 57-62. ACM, (2017)Quantifying audience experience in the wild: Heuristics for developing and deploying a biosensor infrastructure in theaters., , , , , and . QoMEX, page 1-6. IEEE, (2016)Designing the Club of the Future with Data: A Case Study on Collaboration of Creative Industries., , , , and . CHI Extended Abstracts, ACM, (2018)Tangible Air: An Interactive Installation for Visualising Audience Engagement., , , , and . Creativity & Cognition, page 263-265. ACM, (2017)How Are We Connected? - Measuring Audience Galvanic Skin Response of Connected Performances., , , , , and . PhyCS, page 33-42. SciTePress, (2016)A New Production Platform for Authoring Object-based Multiscreen TV Viewing Experiences., , , , and . TVX, page 115-126. ACM, (2018)CWI-ADE2016 Dataset: Sensing nightclubs through 40 million BLE packets., , , , , and . MMSys, page 181-186. ACM, (2017)Analysing Audience Response to Performing Events: A Web Platform for Interactive Exploration of Physiological Sensor Data., , and . ACM Multimedia, page 749-750. ACM, (2015)Designing an Object-based Preproduction Tool for Multiscreen TV Viewing., , , , , and . CHI Extended Abstracts, ACM, (2018)