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Interactive Visuals as Metaphors for Dance Movement Qualities., , and . TiiS, 5 (3): 13:1-13:24 (2015)Understanding Kinaesthetic Creativity in Dance., , and . CHI, page 511. ACM, (2019)Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition., , , and . MOCO, page 21:1-21:8. ACM, (2017)Vocalizing dance movement for interactive sonification of laban effort factors., , , and . Conference on Designing Interactive Systems, page 1079-1082. ACM, (2014)Dance interaction with physical model visuals based on movement qualities., , , and . IJART, 6 (4): 357-387 (2013)Designing for Kinesthetic Awareness: Revealing User Experiences through Second-Person Inquiry., , , and . CHI, page 5171-5183. ACM, (2017)Making an Interactive Dance Piece: Tensions in Integrating Technology in Art.. Conference on Designing Interactive Systems, page 1195-1208. ACM, (2019)From dance to touch: movement qualities for interaction design., , and . CHI Extended Abstracts, page 1465-1470. ACM, (2011)Seeing, Sensing and Recognizing Laban Movement Qualities., , , , and . CHI, page 4009-4020. ACM, (2017)Strategies for Embodied Design: The Value and Challenges of Observing Movement., , , , , and . Creativity & Cognition, page 121-130. ACM, (2015)