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Distant Listening to Gertrude Stein's 'Melanctha': Using Similarity Analysis in a Discovery Paradigm to Analyze Prosody and Author Influence., , , , and . LLC, 28 (4): 582-602 (2013)High Performance Sound Technologies for Access and Scholarship (HiPSTAS) in the Digital Humanities., , , and . ASIST, volume 51 of Proc. Assoc. Inf. Sci. Technol., page 1-10. Wiley, (2014)<audio>Digital Humanities</audio>: The Intersections of Sound and Method., , , , , , , , , and 5 other author(s). DH, Alliance of Digital Humanities Organizations (ADHO), (2014)GoldMine: Automatic assertion generation using data mining and static analysis., , , , , and . DATE, page 626-629. IEEE, (2010)Sounding for Meaning: Analyzing Aural Patterns Across Large Digital Collections., , , , , and . DH, page 158-161. Hamburg University Press, (2012)Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts., , , , and . Digital Humanities Quarterly, (2013)Meandre Data-Intensive Application Infrastructure: Extreme Scalability for Cloud and/or Grid Computing., , , , , , , , and . JSAI-isAI Workshops, volume 6797 of Lecture Notes in Computer Science, page 233-242. Springer, (2010)Music-to-knowledge (M2K): a prototyping and evaluation environment for music information retrieval research., , and . SIGIR, page 676. ACM, (2005)Novel interface services for bioacoustic digital libraries., , and . JCDL, page 423. ACM, (2008)Generalized Recursive Splitting Algorithms for Learning Hybrid Concepts., , and . ML, page 496-498. Morgan Kaufmann, (1989)