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Disambiguation of "Fuhrmann, Ferdinand"

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A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals.

, , , and . ISMIR, page 559-564. FEUP Edições, (2012)

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Ferdinand Langer University of Stuttgart

Tobias Fuhrmann University of Stuttgart

Ferdinand Seel University of Stuttgart

 

Other publications of authors with the same name

Open Challenges in Modelling, Analysis and Synthesis of Human Behaviour in Human-Human and Human-Machine Interactions., , , , , , , , , and 7 other author(s). Cognitive Computation, 7 (4): 397-413 (2015)A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals., , , and . ISMIR, page 559-564. FEUP Edições, (2012)Semantic audio content-based music recommendation and visualization based on user preference examples., , , , , and . Inf. Process. Manage., 49 (1): 13-33 (2013)Three Experiments on the Application of Automatic Speech Recognition in Industrial Environments., , , and . SLSP, volume 10583 of Lecture Notes in Computer Science, page 109-118. Springer, (2017)Multimodal Interaction for Future Control Centers: An Interactive Demonstrator., and . ICMI, page 66-67. ACM, (2014)Scalability, Generality and Temporal Aspects in Automatic Recognition of Predominant Musical Instruments in Polyphonic Music., , and . ISMIR, page 321-326. International Society for Music Information Retrieval, (2009)Quantifying the Relevance of Locally Extracted Information for Musical Instrument Recognition from Entire Pieces of Music., and . ISMIR, page 239-244. University of Miami, (2011)A content-based system for music recommendation and visualization of user preferences working on semantic notions., , , , , and . CBMI, page 249-252. IEEE, (2011)The Musical Avatar: a visualization of musical preferences by means of audio content description., , , , , and . Audio Mostly Conference, page 14. ACM, (2010)Multimodale Interaktion in der Produktionsstätte der Zukunft., and . Mensch & Computer Workshopband, page 197-202. De Gruyter Oldenbourg, (2015)