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The Musical Avatar: a visualization of musical preferences by means of audio content description.

, , , , , and . Audio Mostly Conference, page 14. ACM, (2010)

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Tabletop tangible interfaces for music performance : design and evaluation.. Open University, Milton Keynes, UK, (2015)British Library, EThOS.A Tabletop Waveform Editor for Live Performance., and . NIME, page 249-252. nime.org, (2008)Beacon: Exploring Physicality in Digital Performance., and . Tangible and Embedded Interaction, page 586-591. ACM, (2018)Experience and Ownership with a Tangible Computational Music Installation for Informal Learning., , , , , , and . Tangible and Embedded Interaction, page 351-360. ACM, (2017)Video Analysis for Evaluating Music Interaction: Musical Tabletops., , , and . Music and Human-Computer Interaction, Springer, (2013)A content-based system for music recommendation and visualization of user preferences working on semantic notions., , , , , and . CBMI, page 249-252. IEEE, (2011)Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective., , , , and . Audio Mostly Conference, page 30:1-30:7. ACM, (2018)The Musical Avatar: a visualization of musical preferences by means of audio content description., , , , , and . Audio Mostly Conference, page 14. ACM, (2010)TOUCHtr4ck: democratic collaborative music., , and . Tangible and Embedded Interaction, page 309-312. ACM, (2011)Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language., , , and . ICMC, Michigan Publishing, (2011)