Exploring the Three Dimensional Spatiality of Polyrhythmic Drum Improvisation
J. Ham, J. Kieferle, und U. Woessner. ShoCK! - Sharing Computational Knowledge!, 2, Seite 629-636. Sapienza University of Rome, Fioravanti, ACursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A, (2017)
Zusammenfassung
This paper reports on creative practice design research founded on the translation of complex polyrhythmic digital drumming into the spatial domain. We outline four exercises in the use of drumming improvisation as a methodology for the spatialization of polyrhythmic drum improvisation; as static Spatial Drum Notation and representation as 3D models, artefacts and in Virtual Environments and live drumming performance inside a VR CAVE. These creative exercises bring forward concepts of affordance of musico-spatial representations, a theoretical 'musico-perspectival hinge' and the continuum of performance, notation and representation.
%0 Conference Paper
%1 ham2017exploring
%A Ham, Jeremy
%A Kieferle, Joachim B.
%A Woessner, Uwe
%B ShoCK! - Sharing Computational Knowledge!
%D 2017
%I Fioravanti, ACursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A
%K hlrs myown
%P 629-636
%T Exploring the Three Dimensional Spatiality of Polyrhythmic Drum Improvisation
%V 2
%X This paper reports on creative practice design research founded on the translation of complex polyrhythmic digital drumming into the spatial domain. We outline four exercises in the use of drumming improvisation as a methodology for the spatialization of polyrhythmic drum improvisation; as static Spatial Drum Notation and representation as 3D models, artefacts and in Virtual Environments and live drumming performance inside a VR CAVE. These creative exercises bring forward concepts of affordance of musico-spatial representations, a theoretical 'musico-perspectival hinge' and the continuum of performance, notation and representation.
@inproceedings{ham2017exploring,
abstract = {This paper reports on creative practice design research founded on the translation of complex polyrhythmic digital drumming into the spatial domain. We outline four exercises in the use of drumming improvisation as a methodology for the spatialization of polyrhythmic drum improvisation; as static Spatial Drum Notation and representation as 3D models, artefacts and in Virtual Environments and live drumming performance inside a VR CAVE. These creative exercises bring forward concepts of affordance of musico-spatial representations, a theoretical 'musico-perspectival hinge' and the continuum of performance, notation and representation.},
added-at = {2018-02-03T19:02:40.000+0100},
author = {Ham, Jeremy and Kieferle, Joachim B. and Woessner, Uwe},
biburl = {https://puma.ub.uni-stuttgart.de/bibtex/222573bea822c69807e012cef8f0ef4be/dr.uwewssner},
booktitle = {ShoCK! - Sharing Computational Knowledge!},
eventdate = {20-22 September 2017},
eventtitle = {35th eCAADe Conference},
interhash = {a0ca8ecc475330ed0d5176d91756a90c},
intrahash = {22573bea822c69807e012cef8f0ef4be},
keywords = {hlrs myown},
organization = {Sapienza University of Rome},
pages = {629-636},
publisher = {Fioravanti, ACursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A },
timestamp = {2018-02-03T18:12:45.000+0100},
title = {Exploring the Three Dimensional Spatiality of Polyrhythmic Drum Improvisation},
venue = {Rome, Italy},
volume = 2,
year = 2017
}