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A Participatory Live Music Performance with the Open Symphony System.

, , , , and . CHI Extended Abstracts, page 313-316. ACM, (2016)

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Playsound.space: enhancing a live music performance tool with semantic recommendations., , , , , and . SAAM@ISWC, page 46-53. ACM, (2018)Jamming with a Smart Mandolin and Freesound-based Accompaniment., and . FRUCT, page 375-381. IEEE, (2018)A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis., , , and . Semantic Audio, Audio Engineering Society, (2014)Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts., , , , , and . Tangible and Embedded Interaction, page 80-87. ACM, (2018)Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments., , , and . SAMT, volume 6725 of Lecture Notes in Computer Science, page 186-187. Springer, (2010)The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection., , , , , and . ISMIR, page 201-206. (2013)Mood Conductor: Emotion-Driven Interactive Music Performance., , and . ACII, page 726. IEEE Computer Society, (2013)Selection of Audio Features for Music Emotion Recognition Using Production Music., , , , and . Semantic Audio, Audio Engineering Society, (2014)Datascaping: Data Sonification as a Narrative Device in Soundscape Composition., and . Audio Mostly Conference, page 43:1-43:8. ACM, (2017)Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective., , , , and . Audio Mostly Conference, page 30:1-30:7. ACM, (2018)