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Characterizing the Landscape of Musical Data on the Web: state of the art and challenges., , , , , , , and . WHiSe@ISWC, volume 2014 of CEUR Workshop Proceedings, page 57-68. CEUR-WS.org, (2017)Mixing Music as Linked Data: SPARQL-based MIDI Mashups., , and . WHiSe@ISWC, volume 2014 of CEUR Workshop Proceedings, page 87-98. CEUR-WS.org, (2017)Automatic Query-Centric API for Routine Access to Linked Data., and . International Semantic Web Conference (2), volume 10588 of Lecture Notes in Computer Science, page 334-349. Springer, (2017)The MIDI Linked Data Cloud., , , , , , , , , and 1 other author(s). International Semantic Web Conference (2), volume 10588 of Lecture Notes in Computer Science, page 156-164. Springer, (2017)Nanopublications: A Growing Resource of Provenance-Centric Scientific Linked Data., , , , , , , , , and 5 other author(s). eScience, page 83-92. IEEE Computer Society, (2018)An Ontology Model for Narrative Image Annotation in the Field of Cultural Heritage., , , and . WHiSe@ISWC, volume 2014 of CEUR Workshop Proceedings, page 117-122. CEUR-WS.org, (2017)The Semantic Web MIDI Tape: An Interface for Interlinking MIDI and Context Metadata., , , , and . SAAM@ISWC, page 24-32. ACM, (2018)Modelling and Querying Lists in RDF. A Pragmatic Study., , and . QuWeDa@ISWC, volume 2496 of CEUR Workshop Proceedings, page 21-36. CEUR-WS.org, (2019)The Song Remains the Same: Lossless Conversion and Streaming of MIDI to RDF and Back., and . ESWC (Satellite Events), volume 9989 of Lecture Notes in Computer Science, page 194-199. (2016)A Study of Intensional Concept Drift in Trending DBpedia Concepts., , , and . SEMANTiCS Workshops, volume 2063 of CEUR Workshop Proceedings, CEUR-WS.org, (2017)