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Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera Singing.

, , and . ISMIR, page 107-113. (2015)

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Transcription and Recognition of Syllable based Percussion Patterns: The Case of Beijing Opera., , , and . ISMIR, page 431-436. (2014)Study of the Similarity between Linguistic Tones and Melodic Pitch Contours in Beijing Opera Singing., , and . ISMIR, page 343-348. (2014)Creating a Corpus of Jingju (Beijing Opera) Music and Possibilities for Melodic Analysis., and . ISMIR, page 313-318. (2014)Comparison of the Singing Style of Two Jingju Schools., , , and . ISMIR, page 507-513. (2015)An open corpus for the computational research of arab-andalusian music., , , , and . DLfm, page 78-86. ACM, (2018)Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera Singing., , and . ISMIR, page 107-113. (2015)Quantitative analysis of the relationship between linguistic tones and melody in jingju using music scores., , and . DLfM, page 41-44. ACM, (2017)Contributing to New Musicological Theories with Computational Methods: The Case of Centonization in Arab-Andalusian Music., , , , and . ISMIR, page 223-228. (2019)Creating an A Cappella Singing Audio Dataset for Automatic Jingju Singing Evaluation Research., , and . DLfM, page 37-40. ACM, (2017)