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The Influence of Chord Duration Modeling on Chord and Local Key Extraction., , and . ICMLA (2), page 136-141. IEEE Computer Society, (2011)978-0-7695-4607-0.An embodied music cognition approach to multilevel interactive sonification., , , , and . J. Multimodal User Interfaces, 5 (3-4): 211-219 (2012)Communicating Expressiveness and Affect in Multimodal Interactive Systems., , , and . IEEE MultiMedia, 12 (1): 43-53 (2005)Expressive Body Movement Responses to Music Are Coherent, Consistent, and Low Dimensional., , , and . IEEE Trans. Cybernetics, 44 (12): 2288-2301 (2014)A Probabilistic Framework for Audio-Based Tonal Key and Chord Recognition., , and . GfKl, page 637-644. Springer, (2006)Concepts, Technology, and Assessment of the Social Music Game "Sync-in-Team'., , , , and . CSE (4), page 837-842. IEEE Computer Society, (2009)Applications of duplicate detection: linking meta-data and merging music archives: The experience of the IPEM historical archive of electronic music., , and . DLfM, page 45-48. ACM, (2017)The Surprising Character of Music: A Search for Sparsity in Music Evoked Body Movements., , , and . ECDA, page 425-435. Springer, (2014)Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making., , , , and . ArtsIT/DLI, volume 229 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 3-12. Springer, (2017)TarsosDSP, a Real-Time Audio Processing Framework in Java., , and . Semantic Audio, Audio Engineering Society, (2014)