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The Many-Faced Plot: Strategy for Automatic Glyph Generation.

, , , and . IV, page 71-77. IEEE Computer Society, (2018)

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Simulating Artist and Critic Dynamics - An Agent-based Application of an Evolutionary Art System., and . IJCCI, page 190-197. INSTICC Press, (2009)Darwinci: Creating Bridges to Creativity., , and . SBIA, volume 1515 of Lecture Notes in Computer Science, page 239-248. Springer, (1998)Using Image Schemas in the Visual Representation of Concepts., , and . TriCoLore (C3GI/ISD/SCORE), volume 2347 of CEUR Workshop Proceedings, CEUR-WS.org, (2018)On the role of aesthetics in genetic algorithms applied to graph drawing., , , and . GECCO (Companion), page 1713-1720. ACM, (2017)Evolutionary Pointillist Modules: Evolving Assemblages of 3D Objects., and . EvoWorkshops, volume 4974 of Lecture Notes in Computer Science, page 453-462. Springer, (2008)EvoFashion: Customising Fashion Through Evolution., , , and . EvoMUSART, volume 10198 of Lecture Notes in Computer Science, page 176-189. (2017)A Distributed Approach to Computational Creativity., , , , and . IDC, volume 616 of Studies in Computational Intelligence, page 3-12. Springer, (2015)On the Role of Splitting and Merging Past Cases for Generation of a New Solution., , and . EPIA, volume 990 of Lecture Notes in Computer Science, page 249-260. Springer, (1995)Computational Creativity., and . EPIA, volume 2902 of Lecture Notes in Computer Science, page 2. Springer, (2003)Using GP Is NEAT: Evolving Compositional Pattern Production Functions., , , and . EuroGP, volume 10781 of Lecture Notes in Computer Science, page 3-18. Springer, (2018)