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Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument., , and . EURASIP J. Audio, Speech and Music Processing, (2012)The joystyx: a quartet of embedded acoustic instruments., and . NIME, page 271-274. nime.org, (2017)Force-Sensitive Detents Improve User Performance for Linear Selection Tasks., , , and . IEEE Trans. Haptics, 6 (2): 206-216 (2013)An Approach for Using Information Theory to Investigate Continuous Control of Analog Sensors by Humans., , , and . Audio Mostly Conference, page 85-90. ACM, (2016)Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance., and . ICMC, Michigan Publishing, (2012)Textural crossfader., and . NIME, page 180-181. nime.org, (2015)Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform., and . NIME, page 173-178. nime.org, (2011)HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments., , and . NIME, page 262-263. nime.org, (2009)Automatic Visualization and Graphical Editing of Virtual Modeling Networks for the Open-Source Synth-A-Modeler Compiler., , and . EuroHaptics (2), volume 9775 of Lecture Notes in Computer Science, page 490-500. Springer, (2016)The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians., and . Computer Music Journal, 37 (1): 23-34 (2013)