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Accurate simulations of the interplay between process and statistical variability for nanoscale FinFET-based SRAM cell stability.

, , , , and . ESSDERC, page 349-352. IEEE, (2014)

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Controlling musical emotionality: an affective computational architecture for influencing musical emotions., , , and . Digital Creativity, 18 (1): 43-53 (2007)Digital technologies and musical participation for people with intellectual disabilities., , , , and . New Media & Society, 15 (4): 501-518 (2013)Statistical Variability and Reliability and the Impact on Corresponding 6T-SRAM Cell Design for a 14-nm Node SOI FinFET Technology., , , , , and . IEEE Design & Test, 30 (6): 18-28 (2013)Stimulating Creative Partnerships in Human-Agent Musical Interaction., , and . Computers in Entertainment, 14 (2): 5:1-5:17 (2016)Interaction Design for Metacreative Systems., and . New Directions in Third Wave Human-Computer Interaction (1), Springer, (2018)Distributed Musical Decision-making in an Ensemble of Musebots : Dramatic Changes and Endings A Brief History of Musebot Ensembles., , , and . ICCC, page 88-95. Association for Computational Creativity (ACC), (2017)Network Jamming: Distributed Performance using Generative Music.. NIME, page 283-286. nime.org, (2010)Accurate simulations of the interplay between process and statistical variability for nanoscale FinFET-based SRAM cell stability., , , , and . ESSDERC, page 349-352. IEEE, (2014)Generative music video composition: using automation to extend creative practice., and . Digital Creativity, 26 (2): 110-120 (2015)Making Meaningful Musical Experiences Accessible Using the iPad., , , and . Ubiquitous Music, Springer, (2014)