The logos of metal bands can be by turns gaudy, uncouth, or nearly illegible. Yet, these logos work: they communicate sophisticated notions of genre and emotional affect. In this paper we use the design considerations of metal logos to explore the space of "illegible semantics": the ways that text can communicate information at the cost of readability, which is not always the most important objective. In this work, drawing on formative visualization theory, professional design expertise, and empirical assessments of a corpus of metal band logos, we describe a design space of metal logos and present a tool through which logo characteristics can be explored through visualization. We investigate ways in which logo designers imbue their text with meaning and consider opportunities and implications for visualization more widely.
%0 Conference Paper
%1 rijken2021altvis
%A Rijken, Gerrit J
%A Cutura, Rene
%A Heyen, Frank
%A Sedlmair, Michael
%A Correll, Michael
%A Dykes, Jason
%A Smit, Noeska
%B IEEE VIS alt.VIS Workshop
%D 2021
%K visus:cuturare sfbtrr161 from:christinawarren visus:heyenfk CyVy visus:sedlmaml a08 2021 visus InstruData
%T Illegible Semantics: Exploring the Design Space of Metal Logos
%U https://arxiv.org/abs/2109.01688
%X The logos of metal bands can be by turns gaudy, uncouth, or nearly illegible. Yet, these logos work: they communicate sophisticated notions of genre and emotional affect. In this paper we use the design considerations of metal logos to explore the space of "illegible semantics": the ways that text can communicate information at the cost of readability, which is not always the most important objective. In this work, drawing on formative visualization theory, professional design expertise, and empirical assessments of a corpus of metal band logos, we describe a design space of metal logos and present a tool through which logo characteristics can be explored through visualization. We investigate ways in which logo designers imbue their text with meaning and consider opportunities and implications for visualization more widely.
@inproceedings{rijken2021altvis,
abstract = {The logos of metal bands can be by turns gaudy, uncouth, or nearly illegible. Yet, these logos work: they communicate sophisticated notions of genre and emotional affect. In this paper we use the design considerations of metal logos to explore the space of "illegible semantics": the ways that text can communicate information at the cost of readability, which is not always the most important objective. In this work, drawing on formative visualization theory, professional design expertise, and empirical assessments of a corpus of metal band logos, we describe a design space of metal logos and present a tool through which logo characteristics can be explored through visualization. We investigate ways in which logo designers imbue their text with meaning and consider opportunities and implications for visualization more widely.},
added-at = {2021-12-08T11:46:46.000+0100},
author = {Rijken, Gerrit J and Cutura, Rene and Heyen, Frank and Sedlmair, Michael and Correll, Michael and Dykes, Jason and Smit, Noeska},
biburl = {https://puma.ub.uni-stuttgart.de/bibtex/2488e3fa394db5767f3cc58cb136fe1a6/sfbtrr161},
booktitle = {IEEE VIS alt.VIS Workshop},
interhash = {24be58a82b45d58266ca4ae031735f99},
intrahash = {488e3fa394db5767f3cc58cb136fe1a6},
keywords = {visus:cuturare sfbtrr161 from:christinawarren visus:heyenfk CyVy visus:sedlmaml a08 2021 visus InstruData},
timestamp = {2021-12-08T10:46:46.000+0100},
title = {Illegible Semantics: Exploring the Design Space of Metal Logos},
url = {https://arxiv.org/abs/2109.01688},
year = 2021
}