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Shakespeare’s Sonnets. A History of British Poetry: Genres – Developments – Interpretations, page 79-90. WVT, (2015)‘Such sweet thunder’: Harmonische Verstimmungen in Shakespeares dramatischen Klangwelten. Faszinosum Klang: Anthropologie – Medialität – kulturelle Praxis, page 157-182. De Gruyter, (2014)Wissensräume im Theater der Frühen Neuzeit. Raum und Bewegung in der Literatur: Die Literaturwissenschaften und der Spatial Turn, page 195-212. transcript, (2009)New Departures and Developments: Contemporary British Poetry, and . A History of British Poetry: Genres – Developments –Interpretations, page 409-422. WVT, (2015)Kommentar zu den Empfehlungen des Wissenschaftsrats, and . Perspektiven des deutschen Wissenschaftssystems – Welche Schritte sind notwendig? Stellungnahmen und Empfehlungen für die Politik, page 9-14. Konrad Adenauer Stiftung, Sankt Augustin/Berlin, (2013)Gary A. Schmidt, Renaissance Hybrids: Culture and Genre in Early Modern England. Farnham: Ashgate 2013. Shakespeare Jahrbuch, (2014)Alan Stuart, Shakespeare’s Letters, Oxford 2008. Shakespeare Jahrbuch, (2011)An Outline of the Features, Objectives and Premises of A History of British Drama, , and . A History of British Drama: Genres – Developments – Interpretations, page 1-18. WVT, (2011)Biography, History, and Memory Plays: Brian Friel’s Making History and Peter Shaffer’s Amadeus, and . A History of British Drama: Genres – Developments – Interpretations, page 319-336. WVT, (2011)Medusa’s Gaze and the Aesthetics of Fascination. Anglia, 128 (2): 225-245 (2010)