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Enabling universal media experiences through semantic adaptation in the creative drama productionworkflow.

, , , , and . WIAMIS, page 296-299. IEEE Computer Society, (2009)

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A new approach to combine texture compression and filtering., , , and . The Visual Computer, 28 (4): 371-385 (2012)Delivering scalable video with QoS to the home., , , , , , , , , and 7 other author(s). Telecommunication Systems, 49 (1): 129-148 (2012)Multimedia Metadata Processing: A Format Independent Approach., , , and . EuroIMSA, page 343-348. IASTED/ACTA Press, (2005)Fast motion estimation for closed-loop HEVC transrating., , , , , and . ICIP, page 2492-2496. IEEE, (2014)BilliARt - AR Carom Billiards - Exploration of an AR Framework., , , , , , , , and . HCI (26), volume 434 of Communications in Computer and Information Science, page 636-641. Springer, (2014)Motion-refined rewriting of H.264/AVC-coded video to SVC streams., , , and . J. Visual Communication and Image Representation, 22 (5): 391-400 (2011)Moving object detection in the H.264/AVC compressed domain for video surveillance applications., , , , and . J. Visual Communication and Image Representation, 20 (6): 428-437 (2009)An optimized MPEG-21 BSDL framework for the adaptation of scalable bitstreams., , , , and . J. Visual Communication and Image Representation, 18 (3): 217-239 (2007)On the performance of scalable video coding for VBR TV channels transport in multiple resolutions and qualities., , , , , , and . Multimedia Tools Appl., 53 (3): 487-517 (2011)Advanced Multimedia Systems Using MPEG-21 Digital Item Processing., , , and . ISM, page 785-786. IEEE Computer Society, (2006)