{"2ead564a6c604fb5de54615404a9c9c8kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2015knstlerbuch","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Produktive Rezeption: Imitatio, Intertextualität, Intermedialität","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2015"]],"literal":"2015"},"event-place":"Tübingen","id":"2ead564a6c604fb5de54615404a9c9c8kthomas","interhash":"528f86076b2a711de318fe6c8053f7bc","intrahash":"2ead564a6c604fb5de54615404a9c9c8","issue":"","issued":{"date-parts":[["2015"]],"literal":"2015"},"keyword":"myown","note":"","number":"","number-of-pages":"26","page":"135-161","page-first":"135","publisher":"Stauffenberg","publisher-place":"Tübingen","status":"","title":"Das Künstlerbuch als Palimpsest. Paul Gauguins Noa Noa","type":"chapter","username":"kthomas","version":"","volume":""},"b904d8452d092224ea9ed16de59b0563kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2026halbschlafbilder","collection-editor":[{"family":"Guthmüller","given":"Marie"},{"family":"Schmidt-Hannisa","given":"Hans-Walter"}],"collection-title":"","container-author":[{"family":"Guthmüller","given":"Marie"},{"family":"Schmidt-Hannisa","given":"Hans-Walter"}],"container-title":"Das nächtliche Selbst. Traumwissen und Traumkunst im Jahrhundert der Psychologie","documents":[],"edition":"","editor":[{"family":"Guthmüller","given":"Marie"},{"family":"Schmidt-Hannisa","given":"Hans-Walter"}],"event-date":{"date-parts":[["2026"]],"literal":"2026"},"event-place":"","id":"b904d8452d092224ea9ed16de59b0563kthomas","interhash":"d75f52f9a357b2f24100cf58fe50b325","intrahash":"b904d8452d092224ea9ed16de59b0563","issue":"","issued":{"date-parts":[["2026"]],"literal":"2026"},"keyword":"myown","note":"","number":"","number-of-pages":"28","page":"249-277","page-first":"249","publisher":"Wallstein","publisher-place":"","status":"","title":"Halbschlafbilder","type":"chapter","username":"kthomas","version":"","volume":""},"e5d6096a2be39275ad1f8803edb2bbcckthomas":{"DOI":"","ISBN":"9783110372793","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2016farbe","collection-editor":[{"family":"Bushart","given":"Magdalena"},{"family":"Wedekind","given":"Gregor"}],"collection-title":"","container-author":[{"family":"Bushart","given":"Magdalena"},{"family":"Wedekind","given":"Gregor"}],"container-title":"Die Farbe Grau","documents":[],"edition":"","editor":[{"family":"Bushart","given":"Magdalena"},{"family":"Wedekind","given":"Gregor"}],"event-date":{"date-parts":[["2016"]],"literal":"2016"},"event-place":"","id":"e5d6096a2be39275ad1f8803edb2bbcckthomas","interhash":"581ff43b196806cae587d211b77e1494","intrahash":"e5d6096a2be39275ad1f8803edb2bbcc","issue":"","issued":{"date-parts":[["2016"]],"literal":"2016"},"keyword":"myown","misc":{"isbn":"9783110372793"},"note":"","number":"","number-of-pages":"16","page":"219-235","page-first":"219","publisher":"De Gruyter","publisher-place":"","status":"","title":"Grau als Farbe des Gefühls in der symbolistischen Malerei","type":"chapter","username":"kthomas","version":"","volume":""},"f67bb1191464df8cbf033b2112e0d7ackthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2027kunst","collection-editor":[{"family":"Krieger","given":"Verena"},{"family":"Stang","given":"Sophia"}],"collection-title":"","container-author":[{"family":"Krieger","given":"Verena"},{"family":"Stang","given":"Sophia"}],"container-title":"Wiederholungstäter. Die Selbstwiederholung als künstlerische Praxis in der Moderne","documents":[],"edition":"","editor":[{"family":"Krieger","given":"Verena"},{"family":"Stang","given":"Sophia"}],"event-date":{"date-parts":[["2017"]],"literal":"2017"},"event-place":"","id":"f67bb1191464df8cbf033b2112e0d7ackthomas","interhash":"067a9f4c6907210100ac1e183e67ac86","intrahash":"f67bb1191464df8cbf033b2112e0d7ac","issue":"","issued":{"date-parts":[["2017"]],"literal":"2017"},"keyword":"myown","note":"","number":"","number-of-pages":"16","page":"63–79","page-first":"63","publisher":"Böhlau","publisher-place":"","status":"","title":"Die Kunst der unablässigen Reprise. Gauguins Spätwerk zwischen Selbstvergewisserung und Experiment","type":"chapter","username":"kthomas","version":"","volume":""},"7231bec695c746f43ed4bb839c89c8d0kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2027expressive","collection-editor":[{"family":"van Tuinen","given":"Sjoerd"}],"collection-title":"","container-author":[{"family":"van Tuinen","given":"Sjoerd"}],"container-title":"Speculative Art Histories. Analysis at the Limits","documents":[],"edition":"","editor":[{"family":"van Tuinen","given":"Sjoerd"}],"event-date":{"date-parts":[["2027"]],"literal":"2027"},"event-place":"","id":"7231bec695c746f43ed4bb839c89c8d0kthomas","interhash":"02b257e4724289b26563a076ac6115bc","intrahash":"7231bec695c746f43ed4bb839c89c8d0","issue":"","issued":{"date-parts":[["2027"]],"literal":"2027"},"keyword":"myown","note":"","number":"","number-of-pages":"16","page":"113–129","page-first":"113","publisher":"Edinburgh University Press","publisher-place":"","status":"","title":"Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered","type":"chapter","username":"kthomas","version":"","volume":""},"426d29d10798fe58e556d389a1161269kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2019lebst","collection-editor":[{"family":"Trummer","given":"Thomas D."}],"collection-title":"","container-author":[{"family":"Trummer","given":"Thomas D."}],"container-title":"Miriam Cahn: Das genaue Hinschauen. Ausst. Kat. Kunsthaus Bregenz","documents":[],"edition":"","editor":[{"family":"Trummer","given":"Thomas D."}],"event-date":{"date-parts":[["2019"]],"literal":"2019"},"event-place":"","id":"426d29d10798fe58e556d389a1161269kthomas","interhash":"501dcafcdea24ff5249afa66288b51a4","intrahash":"426d29d10798fe58e556d389a1161269","issue":"","issued":{"date-parts":[["2019"]],"literal":"2019"},"keyword":"myown","note":"","number":"","number-of-pages":"6","page":"37-43","page-first":"37","publisher":"Kunsthaus Bregenz","publisher-place":"","status":"","title":"\"Du lebst und tust mir was”. Die Bilder von Miriam Cahn","type":"chapter","username":"kthomas","version":"","volume":""},"5c6f839e9690cafd69125e47852768a8kthomas":{"DOI":"10.17613/f4f2-0e75","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2020dreaming","collection-editor":[{"family":"Dieterle","given":"Bernard"},{"family":"Engel","given":"Manfred"}],"collection-title":"","container-author":[{"family":"Dieterle","given":"Bernard"},{"family":"Engel","given":"Manfred"}],"container-title":"Mediating the Dream. Les Genres et médias du rêve","documents":[],"edition":"","editor":[{"family":"Dieterle","given":"Bernard"},{"family":"Engel","given":"Manfred"}],"event-date":{"date-parts":[["2020"]],"literal":"2020"},"event-place":"Würzburg","id":"5c6f839e9690cafd69125e47852768a8kthomas","interhash":"e5226b164d7020f5692fbb269854d8d1","intrahash":"5c6f839e9690cafd69125e47852768a8","issue":"","issued":{"date-parts":[["2020"]],"literal":"2020"},"keyword":"myown","misc":{"doi":"10.17613/f4f2-0e75"},"note":"","number":"","number-of-pages":"20","page":"489–509","page-first":"489","publisher":"Königshausen & Neumann","publisher-place":"Würzburg","status":"","title":"Dreaming in Pictures – Picturing the Dream: Black as Oneiric Strategy in 19th and 20th Century French Art","type":"chapter","username":"kthomas","version":"","volume":""},"714700bdc6a77f04171a28490b3ae2b5kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2020passion","collection-editor":[{"family":"Herrmann","given":"Arnhold"},{"family":"Marx","given":"Petra"}],"collection-title":"","container-author":[{"family":"Herrmann","given":"Arnhold"},{"family":"Marx","given":"Petra"}],"container-title":"Passion Leidenschaft","documents":[],"edition":"","editor":[{"family":"Herrmann","given":"Arnhold"},{"family":"Marx","given":"Petra"}],"event-date":{"date-parts":[["2020"]],"literal":"2020"},"event-place":"","id":"714700bdc6a77f04171a28490b3ae2b5kthomas","interhash":"8734332b24486c420fbede8b6ae4edad","intrahash":"714700bdc6a77f04171a28490b3ae2b5","issue":"","issued":{"date-parts":[["2020"]],"literal":"2020"},"keyword":"myown","note":"","number":"","number-of-pages":"12","page":"79-91","page-first":"79","publisher":"Deutscher Kunstverlag (DKV)","publisher-place":"","status":"","title":"Passion, Sentiment, Émotion – Zur Gefühlskultur in der Kunst zwischen Aufklärung und Moderne","type":"chapter","username":"kthomas","version":"","volume":""},"3b437dc3b1331627367de33b974d2c87kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2021division","collection-editor":[{"family":"Duvivier","given":"Christophe"},{"family":"Helfenstein","given":"Josef"}],"collection-title":"","container-author":[{"family":"Duvivier","given":"Christophe"},{"family":"Helfenstein","given":"Josef"}],"container-title":"Pissarro – Das Atelier der Moderne, Ausst.-Kat. Kunstmuseum Basel","documents":[],"edition":"","editor":[{"family":"Duvivier","given":"Christophe"},{"family":"Helfenstein","given":"Josef"}],"event-date":{"date-parts":[["2021"]],"literal":"2021"},"event-place":"München","id":"3b437dc3b1331627367de33b974d2c87kthomas","interhash":"d4ce1d610931e046f007af8693246cb0","intrahash":"3b437dc3b1331627367de33b974d2c87","issue":"","issued":{"date-parts":[["2021"]],"literal":"2021"},"keyword":"myown","note":"","number":"","number-of-pages":"13","page":"84–97","page-first":"84","publisher":"Prestel","publisher-place":"München","status":"","title":"Division und Kondensation: Pissarros Suche nach der modernen Synthese","type":"chapter","username":"kthomas","version":"","volume":""},"2ec9ae14a39a39f40c67d434cb38f328kthomas":{"DOI":"https://doi.org/10.1515/9783110621440","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2022ausdruck","collection-editor":[{"family":"Fehrenbach","given":"Frank"},{"family":"Vollgraff","given":"Matthew"}],"collection-title":"","container-author":[{"family":"Fehrenbach","given":"Frank"},{"family":"Vollgraff","given":"Matthew"}],"container-title":"Ökologien des Ausdrucks","documents":[],"edition":"","editor":[{"family":"Fehrenbach","given":"Frank"},{"family":"Vollgraff","given":"Matthew"}],"event-date":{"date-parts":[["2022"]],"literal":"2022"},"event-place":"","id":"2ec9ae14a39a39f40c67d434cb38f328kthomas","interhash":"a678b3e0f5d621bf9aa71896b842f36b","intrahash":"2ec9ae14a39a39f40c67d434cb38f328","issue":"","issued":{"date-parts":[["2022"]],"literal":"2022"},"keyword":"myown","misc":{"doi":"https://doi.org/10.1515/9783110621440"},"note":"","number":"","number-of-pages":"15","page":"111–126","page-first":"111","publisher":"De Gruyter","publisher-place":"","status":"","title":"Ausdruck der Formen. Meyer Schapiros ‚Theory of Form‘","type":"chapter","username":"kthomas","version":"","volume":""},"9ee006d940142c834e2f9c6e06fcea1bkthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2011bildstimmung","collection-editor":[{"family":"Thomas","given":"Kerstin"}],"collection-title":"","container-author":[{"family":"Thomas","given":"Kerstin"}],"container-title":"Stimmung","documents":[],"edition":"","editor":[{"family":"Thomas","given":"Kerstin"}],"event-date":{"date-parts":[["2011"]],"literal":"2011"},"event-place":"","id":"9ee006d940142c834e2f9c6e06fcea1bkthomas","interhash":"be7a7906a44943c901715ec976fd6c29","intrahash":"9ee006d940142c834e2f9c6e06fcea1b","issue":"","issued":{"date-parts":[["2011"]],"literal":"2011"},"keyword":"imported myOwn","note":"","number":"","number-of-pages":"23","page":"211--234","page-first":"211","publisher":"Brill Fink","publisher-place":"","status":"","title":"Bildstimmung als Bedeutung in der Malerei des 19. Jahrhunderts","type":"chapter","username":"kthomas","version":"","volume":""},"923ae24e525ce5df3d52981195101faakthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2017bestimmte","collection-editor":[],"collection-title":"","container-author":[],"container-title":"","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2017"]],"literal":"2017"},"event-place":"","id":"923ae24e525ce5df3d52981195101faakthomas","interhash":"6e671251ccdbc04b99510be692137a36","intrahash":"923ae24e525ce5df3d52981195101faa","issue":"","issued":{"date-parts":[["2017"]],"literal":"2017"},"keyword":"imported myOwn","note":"","number":"","page":"","page-first":"","publisher":"","publisher-place":"","status":"","title":"Das bestimmte Unbestimmte: Formen der Emotion im Bild","type":"article-journal","username":"kthomas","version":"","volume":""},"383d31119148e71db477e6cbf4b96cf4kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2010stimmung","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Ästhetische Kategorie und künstlerische Praxis (= Passagen","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2010"]],"literal":"2010"},"event-place":"","id":"383d31119148e71db477e6cbf4b96cf4kthomas","interhash":"eca0add726755e81cc86c07e8f627ec4","intrahash":"383d31119148e71db477e6cbf4b96cf4","issue":"","issued":{"date-parts":[["2010"]],"literal":"2010"},"keyword":"imported myOwn","note":"","number":"","page":"","page-first":"","publisher":"","publisher-place":"","status":"","title":"Stimmung","type":"article-journal","username":"kthomas","version":"","volume":"33"},"cebfc6aec7f1879db6a0fdfd595c0762kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Marx","given":"Petra"},{"family":"Frevert","given":"Ute"},{"family":"Frohne","given":"Ursula"},{"family":"Eichberg","given":"Stephanie"},{"family":"Heinen","given":"Ulrich"},{"family":"Niehr","given":"Klaus"},{"family":"Thomas","given":"Kerstin"},{"family":"Witzgall","given":"Susanne"}],"citation-label":"marx2020passion","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Passion Leidenschaft","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2020"]],"literal":"2020"},"event-place":"","id":"cebfc6aec7f1879db6a0fdfd595c0762kthomas","interhash":"9e2c27e6cd5cc08fbe95c27523d6ea01","intrahash":"cebfc6aec7f1879db6a0fdfd595c0762","issue":"","issued":{"date-parts":[["2020"]],"literal":"2020"},"keyword":"imported myOwn","note":"","number":"","page":"","page-first":"","publisher":"Deutscher Kunstverlag (DKV)","publisher-place":"","status":"","title":"Passion Leidenschaft","type":"chapter","username":"kthomas","version":"","volume":""},"de7bab7651d50d27272a7a7f642f5137kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2004stimmung","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Pathos, Affekt, Gefühl: die Emotionen in den Künsten","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2004"]],"literal":"2004"},"event-place":"","id":"de7bab7651d50d27272a7a7f642f5137kthomas","interhash":"7f23d3026518861d70697327ef97a5a1","intrahash":"de7bab7651d50d27272a7a7f642f5137","issue":"","issued":{"date-parts":[["2004"]],"literal":"2004"},"keyword":"imported myOwn","note":"","number":"","page":"","page-first":"","publisher":"","publisher-place":"","status":"","title":"Stimmung in der Malerei: zu einigen Bilder Georges Seurats","type":"paper-conference","username":"kthomas","version":"","volume":""},"8736c06b4d4b78e851a84c81c12e4035kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2019max","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Max Bense: Werk-Kontext-Wirkung","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2019"]],"literal":"2019"},"event-place":"","id":"8736c06b4d4b78e851a84c81c12e4035kthomas","interhash":"ea74d978d6fc673cd0998a1fcbb46301","intrahash":"8736c06b4d4b78e851a84c81c12e4035","issue":"","issued":{"date-parts":[["2019"]],"literal":"2019"},"keyword":"imported myOwn","note":"","number":"","number-of-pages":"15","page":"241--256","page-first":"241","publisher":"JB Metzler","publisher-place":"","status":"","title":"Max Benses Auseinandersetzung mit der bildenden Kunst","type":"article-journal","username":"kthomas","version":"","volume":""},"c8fd15e8801a85fc94e79018eb7d7727kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2015art","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Zeitschrift für Kunstgeschichte","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2015"]],"literal":"2015"},"event-place":"","id":"c8fd15e8801a85fc94e79018eb7d7727kthomas","interhash":"5d0fde8565d7d60b73d50a919adfde85","intrahash":"c8fd15e8801a85fc94e79018eb7d7727","issue":"","issued":{"date-parts":[["2015"]],"literal":"2015"},"keyword":"imported myOwn","note":"","number":"","number-of-pages":"19","page":"45--64","page-first":"45","publisher":"JSTOR","publisher-place":"","status":"","title":"» The art historian among artists «Kunstkritik und Kunstgeschichte bei Meyer Schapiro","type":"article-journal","username":"kthomas","version":"","volume":""},"39318153b874a714daeb88432f20d20akthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2000zwischen","collection-editor":[],"collection-title":"","container-author":[],"container-title":"","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2000"]],"literal":"2000"},"event-place":"","genre":"PhD dissertation","id":"39318153b874a714daeb88432f20d20akthomas","interhash":"a67096a012d28750e735b7657dee7cb9","intrahash":"39318153b874a714daeb88432f20d20a","issue":"","issued":{"date-parts":[["2000"]],"literal":"2000"},"keyword":"imported myOwn","note":"","number":"","page":"","page-first":"","publisher":"","publisher-place":"","status":"","title":"Zwischen Natur und Traum: zur Bedeutung der hieratischen Figur im Werk von Camille Pissarro, Pierre Puvis de Chavannes, Georges Seurat und Paul Gauguin","type":"thesis","username":"kthomas","version":"","volume":""},"4f43d96727c3e2230511ba44b7cb94b9kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"},{"family":"Vinegar","given":"Aron"}],"citation-label":"thomas2015schwerpunktthema","collection-editor":[],"collection-title":"","container-author":[],"container-title":"","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2015"]],"literal":"2015"},"event-place":"","id":"4f43d96727c3e2230511ba44b7cb94b9kthomas","interhash":"b815c892b98ec43d921903487244cdbf","intrahash":"4f43d96727c3e2230511ba44b7cb94b9","issue":"","issued":{"date-parts":[["2015"]],"literal":"2015"},"keyword":"imported myOwn","note":"","number":"","page":"","page-first":"","publisher":"Felix Meiner Verlag","publisher-place":"","status":"","title":"Schwerpunktthema: Matters of fact","type":"article","username":"kthomas","version":"","volume":""},"0d8b6f847dc332dbb84625fa191736c5kthomas":{"DOI":"","ISBN":"","ISSN":"","URL":"","abstract":"","annote":"","author":[{"family":"Thomas","given":"Kerstin"}],"citation-label":"thomas2020emotion","collection-editor":[],"collection-title":"","container-author":[],"container-title":"Emotionen: Ein interdisziplinäres Handbuch","documents":[],"edition":"","editor":[],"event-date":{"date-parts":[["2020"]],"literal":"2020"},"event-place":"","id":"0d8b6f847dc332dbb84625fa191736c5kthomas","interhash":"d0c2d12e6972ad4ef3fe78376da2f129","intrahash":"0d8b6f847dc332dbb84625fa191736c5","issue":"","issued":{"date-parts":[["2020"]],"literal":"2020"},"keyword":"imported myOwn","note":"","number":"","number-of-pages":"5","page":"433--438","page-first":"433","publisher":"JB Metzler Stuttgart","publisher-place":"","status":"","title":"Emotion und Ausdruck. Zur emotionalen Wirkung von Bild und Malerei","type":"chapter","username":"kthomas","version":"","volume":""}}