Exploring the three dimensional spatiality of polyrhythmic drum improvisation
J. Ham, J. Kieferle, and U. Wössner. eCAADe 2017 ShoCK! sharing of computable knowledge!, 2, page 629-636. Rom, Gangemi Editore International, (2017)
Abstract
This paper reports on creative practice design research founded on the translation of complex polyrhythmic digital drumming into the spatial domain. We outline four exercises in the use of drumming improvisation as a methodology for the spatialization of polyrhythmic drum improvisation; as static Spatial Drum Notation and representation as 3D models, artefacts and in Virtual Environments and live drumming performance inside a VR CAVE. These creative exercises bring forward concepts of affordance of musico-spatial representations, a theoretical 'musico-perspectival hinge' and the continuum of performance, notation and representation.
%0 Conference Paper
%1 ham2017exploring
%A Ham, Jeremy
%A Kieferle, Joachim B.
%A Wössner, Uwe
%B eCAADe 2017 ShoCK! sharing of computable knowledge!
%C Rom
%D 2017
%I Gangemi Editore International
%K sent ubs_10019 ubs_20028 unibibliografie
%P 629-636
%T Exploring the three dimensional spatiality of polyrhythmic drum improvisation
%V 2
%X This paper reports on creative practice design research founded on the translation of complex polyrhythmic digital drumming into the spatial domain. We outline four exercises in the use of drumming improvisation as a methodology for the spatialization of polyrhythmic drum improvisation; as static Spatial Drum Notation and representation as 3D models, artefacts and in Virtual Environments and live drumming performance inside a VR CAVE. These creative exercises bring forward concepts of affordance of musico-spatial representations, a theoretical 'musico-perspectival hinge' and the continuum of performance, notation and representation.
%@ 978-94-91207-13-6
@inproceedings{ham2017exploring,
abstract = {This paper reports on creative practice design research founded on the translation of complex polyrhythmic digital drumming into the spatial domain. We outline four exercises in the use of drumming improvisation as a methodology for the spatialization of polyrhythmic drum improvisation; as static Spatial Drum Notation and representation as 3D models, artefacts and in Virtual Environments and live drumming performance inside a VR CAVE. These creative exercises bring forward concepts of affordance of musico-spatial representations, a theoretical 'musico-perspectival hinge' and the continuum of performance, notation and representation.},
added-at = {2020-12-22T15:47:33.000+0100},
address = {Rom},
author = {Ham, Jeremy and Kieferle, Joachim B. and Wössner, Uwe},
biburl = {https://puma.ub.uni-stuttgart.de/bibtex/22042c00c03fb48982b8534f6088fbce7/unibiblio},
booktitle = {eCAADe 2017 ShoCK! sharing of computable knowledge!},
eventdate = {2017-09-20/2017-09-22},
eventtitle = {35th eCAADe Conference},
interhash = {e8b64e4a859afa60ab0ee073ecf3c81d},
intrahash = {2042c00c03fb48982b8534f6088fbce7},
isbn = {978-94-91207-13-6},
keywords = {sent ubs_10019 ubs_20028 unibibliografie},
language = {eng},
pages = {629-636},
publisher = {Gangemi Editore International},
timestamp = {2020-12-22T14:47:33.000+0100},
title = {Exploring the three dimensional spatiality of polyrhythmic drum improvisation},
venue = {Rome, Italy},
volume = 2,
year = 2017
}
